Showing posts with label Candlewick Press. Show all posts
Showing posts with label Candlewick Press. Show all posts

Thursday, November 12, 2020

BLOG TOUR: Everything I Thought I Knew by Shannon Takaoka


Welcome to the Official Blog Tour for Author Shannon Takaoka's debut YA novel, Everything I Thought I Knew, coming from Candlewick Press. Today, on our tour stop, we have a guest post featuring the topic: 10 Reasons to Read Everything I Thought I Knew. In addition to the featured post, we have a tour-wide giveaway to share, too! So... Be sure to check it out and grab your copy now! Follow the tour, HERE!

Genre:
Young Adult
Contemporary Romance
Publish Date:
October 13, 2020
Publisher:

Synopsis:
A teenage girl wonders if she’s inherited more than just a heart from her donor in this compulsively readable debut.

Seventeen-year-old Chloe had a plan: work hard, get good grades, and attend a top-tier college. But after she collapses during cross-country practice and is told that she needs a new heart, all her careful preparations are laid to waste.

Eight months after her transplant, everything is different. Stuck in summer school with the underachievers, all she wants to do now is grab her surfboard and hit the waves—which is strange, because she wasn’t interested in surfing before her transplant. (It doesn’t hurt that her instructor, Kai, is seriously good-looking.)

And that’s not all that’s strange. There’s also the vivid recurring nightmare about crashing a motorcycle in a tunnel and memories of people and places she doesn’t recognize.

Is there something wrong with her head now, too, or is there another explanation for what she’s experiencing?

As she searches for answers, and as her attraction to Kai intensifies, what she learns will lead her to question everything she thought she knew—about life, death, love, identity, and the true nature of reality.


      
  

*10 Reasons to Read Everything I Thought I Knew*

1.       Contemporary YA with a speculative twist

2.      A main character who is into physics

3.      A smart, sensitive love interest

4.      Set in the San Francisco Bay Area

5.      There’s a sloooow burn romance

6.      And a mystery to unravel

7.      Surfing!

8.     Wouldn’t you rather read a book instead of doomscrolling?

9.      It might make you cry… but hopefully in a good way

10.   There’s a really cool dog


Praise for EVERYTHING I THOUGHT I KNEW

Everything I Thought I Knew is a page-turning, mind-bending story of hope and healing. The reader will root for Chloe from page one as she navigates her world post–heart transplant and tries to meld her prior reality with her new one. I couldn’t put it down; it is a beautiful debut from a talented new voice in YA.” —Alexandra Ballard, author of What I Lost

The thoughtful balance of self-discovery, humor, and realistic relationships will bring in fans of John Green and Nicola Yoon. Readers looking for a good, cathartic cry will love Chloe’s journey from losing everything she thought she was, to finding the person she was meant to be. —School Library Journal

Romance and quantum physics intertwine in this frothy introduction to multiverse SF. —Kirkus Reviews

This is a satisfying soaper that combines pleasing romance with an enticing touch of the otherworldly. —Bulletin of the Center for Children’s Books

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**About the Author**
Photo Content from Shannon Takaoka
Shannon Takaoka is a young adult fiction author who wrote her first book at age 12, when she blatantly ripped off C.S. Lewis with an epic fantasy inspired by THE LION, THE WITCH AND THE WARDROBE. (Well, maybe it wasn’t that epic — do 10 pages count?) Madeline L’Engle, Charlotte Brontë, Neil Gaiman and a host of other authors inspired her lifelong love of reading, and she’s especially into all things gothic, weird and nerdy. If a story involves time travel, strange science-y stuff or alternate realities, she’s in.

Originally from Pittsburgh, Pennsylvania, Shannon now lives in the San Francisco Bay Area with her husband, two children and one very needy dog, who is probably leaning on her right now as she’s pecking away on her keyboard. Her debut novel, EVERYTHING I THOUGHT I KNEW, about a 17-year-old girl questioning everything about who she is and who she wants to be following a heart transplant, will be published by Candlewick Press on 10/13/2020 and Walker UK in 2021. She promises that it’s a little weird — but in a good way.

Stay connected with Shannon Takaoka
     

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***The Giveaway***


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- ends November 30, 2020
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Tuesday, October 13, 2020

BLOG TOUR: Rural Voices: 15 Authors Challenge Assumptions About Small-Town America Edited by Nora Shalaway Carpenter


Welcome to the Official Blog Tour for Rural Voices: 15 Authors Challenge Assumptions About Small-Town America edited by Nora Shalaway Carpenter. On our tour stop today, we have a guest post to share, featuring author "Nasugraq Rainey Hopson, Rural Voices Prompt." We also have a tour-wide giveaway to share as well. So... Be sure to check it out and grab your copy now! Follow the tour, HERE.

Genre:
Biography
Publish Date:
October 13, 2020
Publisher:

Synopsis:
Think you know what rural America is like? Discover a plurality of perspectives in this enlightening anthology of stories that turns preconceptions on their head.

Gracie sees a chance of fitting in at her South Carolina private school, until a "white trash"-themed Halloween party has her steering clear of the rich kids. Samuel's Tejano family has both stood up to oppression and been a source of it, but now he's ready to own his true sexual identity. A Puerto Rican teen in Utah discovers that being a rodeo queen means embracing her heritage, not shedding it. . . .

For most of America's history, rural people and culture have been casually mocked, stereotyped, and, in general, deeply misunderstood. Now an array of short stories, poetry, graphic short stories, and personal essays, along with anecdotes from the authors' real lives, dives deep into the complexity and diversity of rural America and the people who call it home. Fifteen extraordinary authors - diverse in ethnic background, sexual orientation, geographic location, and socioeconomic status - explore the challenges, beauty, and nuances of growing up in rural America. From a mountain town in New Mexico to the gorges of New York to the arctic tundra of Alaska, you'll find yourself visiting parts of this country you might not know existed - and meet characters whose lives might be surprisingly similar to your own.

CONTRIBUTING AUTHORS
Nora Shalaway Carpenter, David Bowles, Joseph Bruchac, Veeda Bybee, Shae Carys, S.A. Cosby, Rob Costello, Randy DuBurke, David Macinnis Gill, Nasugraq Rainey Hopson, Estelle Laure, Yamile Saied Méndez, Ashley Hope Pérez, Tirzah Price and Monica Roe


      
  

Nasugraq Rainey Hopson, Rural Voices Prompt

Inspiration can be found in many places. Sometimes all you need is that perfect prompt that develops into a multifaceted world and sometimes you just need a bit of oomph to kick start your working session.  Here are my top 10 places and/or activities where I find inspiration to write.

  1. Go for a walk.  I don’t know if it’s because I am less distracted by my phone/computer/tv or just the physical feeling of moving forward, but walking clears my head and makes way for the imagination.  It doesn’t have to be a five-mile hike through the countryside to work, but I aim for at least a 20 min of walking. 

  2. Dreams.  They can be a way for some of the unformed ideas in my head to emerge into the light.  I like to write snippets I found interesting in my notes App on my phone.  When I was younger, I kept a small notebook and pencil near my bed.  The goal is to write down the ‘scenes’ first, and then write down the emotional layer…things you were feeling…afterwards.  Don’t worry, it’s not supposed to make sense, but can be a neat way to spark your creativity. Don’t feel bad if you can’t remember them all in detail; the more you do it the more you start remembering when you wake up. 

  3. Artwork.  I like to find interesting images and make up a story to fit. There are a few places I visit and scroll online, like DeviantArt and Pinterest. But you can just as well visit the library and dig around in the Art section. There are usually more in depth collections of artworks there with a narrower focus. 

  4. Music.  I listen to the ‘new music’ tab on my music app.  Sometimes a song will just make something click. I also like to explore the collections that I normally would not listen to. I start with whatever is popular in that section and wonder around with a click here and there.  Music is pretty much infinite! 

  5. I play ‘What if?’  What if when I picked up that orange it disappeared?  What if I walked into the living room and there was a strange old lady sitting there?  What is the weirdest thing that could happen right now, and how would I explain it?  Sometimes neat stories are prompted by the question ‘what if?’ This technique usually produces some really interesting first paragraphs! 

  6. Word salad.  Before throwing out old magazines I clip out nouns and adjectives and other random words and mix them up in an envelope. I pick a few out randomly and build a sentence from the combination.  This is actually a technique I learned from an English teacher.  If you want to take it a step further (and you like art) you can draw images that illustrate the sentence or story. You can get some pretty funny combinations! 

  7. Oral stories.  We like to tell stories in our family, so it is a wealth of ideas for writing. Sometimes it’s easier to use other people’s experiences as jumping off points for a story or scene, rather than our own.  Bonus points: you can practice being a good listener and it helps connect you with your friends and family.  Use all avenues of interaction, like emails, phone calls, texts and even social media posts. These can count as ‘oral stories.’  I even have several old school pen pals both international and just from other states that provide fresh insight into the different experiences we all have.  

  8. Get your blood pumping.  Go for a run, do jumping jacks, play some basketball.  Use that awesome feeling afterwards to give you an extra boost for writing.  Our brains are delicate ecosystems of hormones and chemicals, and using that systems built-in need to provide balance can spark the energy and motivation needed. 

  9. Photos.  I often keep photos of family and even strangers’ images that I find interesting hanging in my writing space.  Sometimes I know their stories and sometimes I don’t.  Sometimes I build character sheets for these strangers, imagining their experiences and stories.  Having a visual image to refer to can cement that character’s personality. 

  10. Try new things.  Be adventurous.  Taste new food.  Try a new hobby or learn a few words in a foreign language.  Read a different genre than you usually do. Be uncomfortable.  In nature all of the interesting things exists in spaces where there is friction.  Where salt and fresh water meet.  Where extreme cold meets with tropical weather. Where the land meets sea.  Good stories always have some sort of clash of opposing forces, or a change in the ‘normal’ happens.  Often inspiration can be found in those spaces.


ABOUT NASUGRAQ RAINEY HOPSON
Born and raised in the rural expanse of the North Slope of Alaska, Nasuġraq Rainey Hopson grew up on the fantastic tales from her unique and rich indigenous Inupiaq culture. When she is not writing or creating art inspired by these stories, she is studying how to grow food in the arctic and working a preserving traditional Inupiaq knowledge. She has a degree in studio art and has taught all levels of art from kindergarten to college. She lives with her husband and daughter, three dogs, and a small flock of arctic chickens in the Anaktuvuk Pass, Alaska, where she lives off the land and the amazing bounty it provides as her ancestors did for thousands of years.


Praise for RURAL VOICES

The writers bring authentic voices to their work in addition to their biographies, shared at the back of the book. This collection will be a high-interest read for middle and high school students...This book is a must-purchase for libraries serving middle and high school readers. —School Library Connection

The compilation successfully meets the challenge of serving as a cohesive whole while providing readers with enough variety of tone, pace, and voice to keep the reading experience interesting. A fresh and highly accessible contribution. —Kirkus Reviews

From laughing out loud to holding back tears, readers who enjoy emotionally resonant books will not be disappointed. Those from similar geographic areas will be nodding their heads while every reader, regardless of location, will connect to the universal triumphs and tribulations of teen life. Fans of Rainbow Rowell will dive headfirst into this collection. A great addition that explores an often misrepresented portion of readers. —School Library Journal

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**About the Editor**
Photo Credit: Chip Bryan
Nora Shalaway Carpenter grew up on a mountain ridge deep in the West Virginia wilderness. A graduate of Vermont College of Fine Arts’ MFA in Writing for Children and Young Adults program, she is the author of the YA novel The Edge of Anything and the picture book Yoga Frog. Before she wrote books, she worked as associate editor of Wonderful West Virginia magazine, and she has been a certified yoga teacher since 2012. She currently lives in Asheville, North Carolina, with her husband, three young children, and world’s most patient dog and cat.

Stay connected with Nora Shalaway Carpenter
      

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***The Giveaway***


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Wednesday, March 4, 2020

BLOG TOUR: Mermaid Moon by Susann Cokal


Welcome to the Official Blog Tour for award-winning author Susann Cokal's Mermaid Moon. Today, on our tour stop, we have exclusive excerpts, a book trailer, AND a tour-wide giveaway to share! So... Be sure to check it out and grab your copy now! Follow the tour, HERE!

Genre:
Young Adult
Fantasy/Mythology
Publish Date:
March 3, 2020
Publisher:

Synopsis:
In the far northern reaches of civilization, a mermaid leaves the sea to look for her land-dwelling mother among people as desperate for magic and miracles as they are for life and love.

Blood calls to blood; charm calls to charm.
It is the way of the world.
Come close and tell us your dreams.
—The Mermaids

Sanna has been living as a mermaid — but she is only half seavish. The night of her birth, a sea-witch cast a spell that made Sanna’s people, including her landish mother, forget how and where she was born.

Now Sanna is sixteen and an outsider in the seavish flok where women rule and mothers mean everything. She is determined to go to land and learn who she is. So she apprentices herself to the ancient witch, Sjældent, to learn the magic of making and unmaking. With a new pair of legs and a mysterious quest to complete for her teacher, she follows a clue that leads her ashore on the Thirty-Seven Dark Islands.

Her fellow mermaids wait floating on the seaskin as Sanna stumbles into a wall of white roses thirsty for blood, a hardscrabble people hungry for miracles, and a baroness of fading beauty who will do anything to live forever, even at the expense of her own children.

From the author of the Michael L. Printz Honor Book The Kingdom of Little Wounds comes a gorgeously told tale of belonging, sacrifice, fear, hope, and mortality.


       
   

*Excerpt*
•  Prologue  •
When she knew her time had come, she slipped from the quiet of her father’s house to make her way down to the docks.
It wasn’t easy. The pains came fast and hard, even at the start. In the light of a ­half-­made moon, she ­stumbled in the familiar ruts and ­puddles of the path she’d raced down many times before. Each pain was an ember blazing from her belly to the tips of her fingers and toes; pain blinded her and ­stole her breath. Only force of will kept her on her feet and stealing toward the waterfront, the one place she ­knew­ ​­or ­hoped­ ​­she’d be safe.
Her body was ripping apart. She was being drawn and quartered like the worst kind of criminal, a thief or a murderer whose limbs were tied to four different horses and the horses then spurred in different directions. ­Blood sport. ­Something to think about as she both gasped for breath and tried to keep silent, because the worst thing she could do now would be to make a sound loud enough to wake her neighbors. If things were as bad as she thought they might be, the villagers would come after her with torches and ­sharp-­tipped hoes. Her parents, grudgingly kind as they had been to this point, would lead the charge.
­Stars ­swaddled the sky ­while she sweated through her linen chemise and into her coarse wool dress. She fixed her eyes on that half pie of moon as her knees ­buckled under an especially ­terrible pang. She clutched her belly and pushed herself against the streaky wall of a butcher shop. It held her up as she smothered a groan. The butcher and his family slept above the shop; she shouldn’t wake them.
The smell of her blood mixed with ripe meat was nauseous.
Pain is thirsty work, even in a cool month when green things are just beginning to take on summer hues. She wished for a barrel full of rainwater but instead found a ­pebble to pop into her mouth, and she sucked to draw the water from inside her own body.
In all her eighteen years she had never felt so alone as tonight, under the thick white stars. But soon she wouldn’t be alone anymore. Soon she would have a baby.
A ­large­ ​­another rending ­pain­ ​­an enormous baby.
And that was about all she knew. She knew it was coming, yes, and she knew what she’d done to make it, and she knew she had to get down to the water fast ­because­ ​­because­ ​­because that was the only place she could birth this baby safely.
This would be a special baby. No one in memory had given life to a baby such as this. No one had dared.
By the time she reached the narrow strip of sand that was the only beach in this country of cliffs and caves, she was exhausted, crawling on hands and knees. Not easy to do with her belly heaving and her skirts, soaked with birthing waters, tied up beneath her arms. But she had no choice. This was where she had to be.
The tide was slowly swelling to meet the ­half-­moon. The sharp blade of it was cutting her open and drawing her tides, too, as it sank gracefully toward the horizon.
­Would her lover meet her here? ­Would he bring sisters and aunts and cousins to help, as he’d promised he’d try? His ­people had unusually keen hearing, but she had done her best to make no sound at all. They might find her by smell, though; she ­smelled like an animal, sweaty and afraid. And of course he’d warned that the women of his clan might not come. They disapproved of what he and she had done as much as her own ­people would, if they ­knew­ ​­and she was determined they wouldn’t.
The sand was cool against her palms and knees and shins. It felt like comfort. She let herself sink onto one side and press her ­temple against that yielding damp, breathe deep of the clean wet air. The ­lap-­lap of the bay’s rising ­little waves was soothing, too; even the stars seemed ­gentle and kind, floating behind wispy drifts of cloud, now that she’d reached the place that was her entire plan.
She lay there, let the pain and the elements take her ­while she prayed. Holy ­Virgin, ­Empress of the Seas, have pity on a ­sinner . . . ­And: ­Bjarl, my love, please find me.
He did find her. ­First a wet head bobbed out among the ­waves­ ​­it could have been a seal. She didn’t even notice it at first, but then came the steady plash of water as he ­propelled his powerful body along. He was flicking and steering in a way that both fascinated and ­revolted­ ​­revolted because it might mark this baby, too, and what would she do then?
She moaned. It did not give as much release as she wanted, but it was all she could allow herself.
Soon ­Bjarl’s arms were around her, and the chilly skin of his chest was propping up her head. He had humped his way onto the sand where they used to make love. His hands somehow raised her knees and shifted them apart, though in a way very different from their old giddy nights. It was a position at once awkward and reassuring; in arranging her this way, ­Bjarl seemed expert, as if someone had trained him for precisely this moment. ­Maybe he was taught by a woman of his ­people­ ​­which might mean the women would not come to help at all.
She realized that ­Bjarl was pulling her from the sand into the shallows. The ­little ­kidney-­shaped bay’s salt water bathed her most fevered parts, stinging where they were already starting to tear but otherwise soothing with coolness.
“It won’t be long,” he promised, pressing his lips to her brow. “Our babies come quickly.”
She wished he’d tell her that he loved her.
“I love you,” he said, as if he could hear her thoughts. She believed him. His ­people, the marreminder, claimed not to set much store by love, he had explained, because it was not something they could eat or hoard, and in their long, long lives they usually outgrew all emotion. But if ­Bjarl said he loved her, then surely he did.
She gasped out a few sounds to let him know she loved him too, and then she ­growled, because for a moment the pain became stronger than love.
In a lull she heard others surfacing, nearly silent splashes followed by snorts to clear waterlogged breathing passages in nose and neck. She heard palms digging into sand, bodies scraping over it. The women of his flok were here after all.
An old creature of vaguely ­female outline propped herself between her legs and studied them with the keen eye of one who sees in the dark. She slid her fingers inside (pain), feeling for the baby’s head.
“All as it should be,” she assured the parentsinwaiting.
A cloud drifted away from the ­half-­moon, and a shaft of light ­revealed that old woman’s ­face­ ​­horrible, cracked, ­snaggle-­toothed, and ­moldy­ ​­leering over her.
She ­recoiled and closed her eyes.
“Shh, beloved, the old one has powers,” ­Bjarl said.
The hideous crone ­cackled as if deliberately to frighten the poor girl, who had known nothing but her own village until the day she looked into the water and saw ­Bjarl looking back at her.
“Call me a witch,” said the crone, “if it comforts ye.”
The word was not a comfort, but she trusted in ­Bjarl’s choice of helpers. At this moment in her short, violent life, she had no one ­else­ ​­certainly no one who had shown her kindness.
The younger women set to work on her belly, rubbing it gently and singing to it in their trilling voices. One pair of hands ­circled her ­temples in a way that lifted much of her pain; another rubbed her scalp in a way that would have been ­pleasurable if not for the pain elsewhere; and of course ­Bjarl’s arms remained around her.
­Oddly enough, at this moment, she felt more loved than at any other in her life.
“Tell me how we fell,” she whispered, delirious with suffering but still hoping he would understand her. “How we fell in love.”
She knew he was smiling; she felt his beard against her cheek, shedding water that ­sprinkled her neck with droplets.
“You were crouching on a rock,” he said, “and scrubbing linens against it. You were crying because your mother had been cruel to you that day. And I’d been fishing nearby when I felt your tears dropping into the waves, and I thought I’d never tasted anything so sweet. I swam up and looked at you through the waterskin, and you looked down and saw me. You were so astonished, you fell off the rock and into my arms.”
In spite of the pain, she ­smiled. It was her favorite story, and ­Bjarl told it a ­little differently each time she asked. The one part that remained constant was this: They fell in love.
“That afternoon I gave you a sea star and asked you to be mine,” ­Bjarl finished, so quiet she was almost certain his women could not hear him.
More cold water splashed against her split legs and mounded belly, even her face, from the old one’s hands. She was glad for the cold. She looked up again, blinking, and admired the iciness of stars and moon, forever fixed in the blue bowl of sky. ­Sometimes, in the months when the sun never set, the moon was ­visible along with it, waxing and waning according to its own wishes. ­Sometimes it shimmered in ­yellow-­green streaks of light that (though familiar) seemed to promise some life beyond the one lived on this ­hardscrabble island.
“It’s time to push,” said the old woman, spreading the girl’s legs wide, as if to pull her apart like a chicken.
The wavelets ­hiss-­hissed as they receded down the sand. It was a pleasant sound.
­Bracing herself against ­Bjarl’s strong chest, surrounded by his ­people, she pushed.
Now, at last, she let herself scream as loudly as she wanted.

She screamed both pain and love.

MERMAID MOON. Copyright © 2020 by Susan Cokal.
Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

*Excerpt*
• Chapter 1 •
To the list of events I never intended, it is time to add this: the first of the so­called ­miracles that have made these Dark ­Islands famous on land and sea.
The ­miracle, as these ­people have named it, begins with my first step on a pebbly shore; it ends in a wall of flowers stained red. In one form or another, it becomes the stuff of song and legend and even, I’m told, an entry in the books written by monks and illustrated in paints made of ground stone and gold and ­beetle shells, to be kept among other such objects in a place ­called Rome.
My own ­people sing of it, naturally. ­Their songs focus on my bravery and cunning, but the truth is that I wasn’t brave or cunning at ­all­ ​­just lucky or unlucky, depending on how you view the events that followed.
This is how the songs go. I don’t need to point out that I never sing them myself.
­Sanna the ­Lonely, ­Sanna the ­Meek­
She who was first to set foot on the ­land­
In the midst of their feast,
In savory and sweet,
Her body sang out the elements:
Air and earth and fire and time
Dyed themselves red in her blood.
­Sanna the ­Clever, ­Sanna the Wise;
­Sanna both ­Never and ­Always.
I don’t like what they call me, but who is ever entirely happy with a name given by others? And in any event, my names are not the worst exaggeration. The story grows and blooms as it passes each pair of lips, and soon the singers will have me slaying an empire and taking its wealth for my own.
I intend to narrate everything here exactly as it happened.

MERMAID MOON. Copyright © 2020 by Susan Cokal.
Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

Praise for MERMAID MOON

“Susann Cokal’s latest miracle, Mermaid Moon, springs from the tides where Hans Christian Andersen’s Little Mermaid once swam — and walked to land. But she delivers something even more rich and strange, and a mermaid heroine who will swim away with your heart.” —Gregory Maguire, author of Wicked and Egg & Spoon

“Cokal's moody and sea-drenched tale weaves touches of Hans Christian Andersen with a dash of Pied Piper, using language that gorgeously sets each scene, including the exceedingly creepy bone vault … Lyrical, complex, and occasionally dark.” —School Library Journal

“Cokal creates a well-developed matriarchal mermaid mythology in which women couple, bonded by love and respect, and men are largely unnecessary. Through several voices and richly detailed prose, these markedly different worlds overlap and diverge to impart a nuanced exploration of power, family, faith, and love.” —Publishers Weekly

“Mermaid Moon is an action-packed tale of parental abandonment, familial longing, treachery and dark magic with an appealingly determined heroine.” —BookPage

“A beautifully told, immersive story that layers fairy-tale elements with more modern themes, allowing for a different experience with every reread.” —Shelf Awareness

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**About the Author**
Photo Content from Susann Cokal
Susann Cokal is a moody historical novelist, a pop-culture essayist, book critic, magazine editor, and sometime professor of creative writing and modern literature. She lives in a creepy old farmhouse in Richmond, Virginia, with seven cats, a dog, a spouse, and some peacocks that supposedly belong to a neighbor. She is the author of two books for young adults and two for regular adults.

Susann's previous book, The Kingdom of Little Wounds, received several national awards, including a silver medal from the American Library Association's Michael L. Printz Award series. It also got starred reviews in Kirkus, School Library Journal, The Bulletin of the Center for Children's Books, and Publishers Weekly, and praise from Booklist, The New York Times Boook Review, and other venues. It was #3 on the Boston Globe list of best YAs of the 2013 and won an ALAN citation from the National Council of Teachers of English.

Stay connected with Susann Cokal
       

~~~~~

***The Giveaway***


Giveaway Open Internationally | Must be 13+ to Enter
- ends March 23, 2020

Note: Not Responsible for Lost & Damaged Prizes in Your Mail Box

Blog Tour Organized by